Information on Copyright & Derivative for the Artist

SFAS supports the rights of artists and requires that all submitted artwork be the original creation of the submitting artist. It is incumbent on all artists to familiarize themselves with copyright laws and the concepts of derivative and transformative art to ensure that they are not infringing on another artist’s rights.

Copyright Laws

Copyright law gives artists certain exclusive rights to their own original work, and the reproduction or resale of that work. Copyright arises automatically when an artistic work is fixed in a material form.

It is advised that all artists ensure that their work does not breach any copyright. See the links below for further reading.

Derivative Art

“Derivative” refers to work that is based upon one or more preexisting works by another artist, and can include the use of source material as a creative base. Derivative work is not permissible (unless it can be considered “transformative” – see next section & links below). The nature of derivative work is very subjective, and eligibility is up to the discretion of the jurors and the SFAS adjudication committee.

Using Photographs

It is important to note that there have been recent policy changes within the Federation of Canadian Artists with regards to using photographs as reference. SFAS supports the following statement:

“While using photos as reference for painting is a long held accepted practice, making substantive use of stock imagery or photos taken by professional photographers is not permissible, even with their permission. Photographs by professional photographers are considered artworks in and of themselves. Reference photos must be taken by the artist themselves or provided to them by an amateur photographer with their express consent. Stock images may only be referred to for anatomical study and must be incidental to the completed artwork to be permissible.”

– FCA Policy, section 7.1.5

Transformative Art

There are some cases in which art that has been derived from another’s work can be considered “transformative” – demonstrating a significant creative departure from the original (i.e: new expression, meaning or message), and creating an altogether new work of art. The nature of transformative work is very subjective, and eligibility is up to the discretion of the jurors and the SFAS adjudication committee.

Useful Links:

• Copyright & The Artist
• Art Copyright, Explained
• Fair Use: What Is Transformative?
• Your Derivative Artwork May Be Fantastic, But Is It Transformative?

SFAS Policy

The Sooke Fine Arts Society retains the right to remove any artwork from adjudication that may contravene copyright laws or show standards.

If you are still unsure whether or not your work would be eligible, you can email the SFAS office at [email protected], however we ask that you please do so well in advance of the submission deadline (midnight, June 1, 2020).

​

Information on Copyright & Derivative for the Artist

SFAS supports the rights of artists and requires that all submitted artwork be the original creation of the submitting artist. It is incumbent on all artists to familiarize themselves with copyright laws and the concepts of derivative and transformative art to ensure that they are not infringing on another artist’s rights.

Copyright Laws

Copyright law gives artists certain exclusive rights to their own original work, and the reproduction or resale of that work. Copyright arises automatically when an artistic work is fixed in a material form.

It is advised that all artists ensure that their work does not breach any copyright. See the links below for further reading.

Derivative Art

“Derivative” refers to work that is based upon one or more preexisting works by another artist, and can include the use of source material as a creative base. Derivative work is not permissible (unless it can be considered “transformative” – see next section & links below). The nature of derivative work is very subjective, and eligibility is up to the discretion of the jurors and the SFAS adjudication committee.

Using Photographs

It is important to note that there have been recent policy changes within the Federation of Canadian Artists with regards to using photographs as reference. SFAS supports the following statement:

“While using photos as reference for painting is a long held accepted practice, making substantive use of stock imagery or photos taken by professional photographers is not permissible, even with their permission. Photographs by professional photographers are considered artworks in and of themselves. Reference photos must be taken by the artist themselves or provided to them by an amateur photographer with their express consent. Stock images may only be referred to for anatomical study and must be incidental to the completed artwork to be permissible.”

– FCA Policy, section 7.1.5

Transformative Art

There are some cases in which art that has been derived from another’s work can be considered “transformative” – demonstrating a significant creative departure from the original (i.e: new expression, meaning or message), and creating an altogether new work of art. The nature of transformative work is very subjective, and eligibility is up to the discretion of the jurors and the SFAS adjudication committee.

Useful Links:

• Copyright & The Artist
• Art Copyright, Explained
• Fair Use: What Is Transformative?
• Your Derivative Artwork May Be Fantastic, But Is It Transformative?

SFAS Policy

The Sooke Fine Arts Society retains the right to remove any artwork from adjudication that may contravene copyright laws or show standards.

If you are still unsure whether or not your work would be eligible, you can email the SFAS office at [email protected], however we ask that you please do so well in advance of the submission deadline (midnight, June 1, 2020).

​

History of the Sooke Fine Arts Show

The Sooke Fine Arts Show stems from humble beginnings when the Sooke Region Museum would feature artwork from local artists in small shows in their upper gallery. In 1986, spurred by the buzz of the year’s Expo, a committee of five artists conceived of a show to bring attention to art and artists of the region, and thus the inaugural FINE ARTS ’86 was born.

The show was a huge success and thanks to the admirable coordination of Elida Peers, the sponsorship of the Sooke Region Museum and the Sooke Region Historical Society, and teams of hard-working volunteers, it flourished and grew each year.

That first show displayed 200 pieces from 49 artists in SEAPARC’s ice arena and eventually grew to fill the entire 16,000 square foot space, transforming it into the world-class exhibition that you see today. In 2006, coordination of the show moved from the hands of the Sooke Region Museum and into the newly-formed Sooke Fine Arts Society.

Today the show features on average 375 pieces from approximately 260 artists from all over B.C’s coastal islands, with prizes totaling over $12,000. And it is now so much more than a gallery, as it houses a stage with live music and youth performances, artist demonstrations, a large gift shop, and a separate youth art gallery, expanding the exhibition beyond the main arena.

The Sooke Fine Arts Society is most thankful for the efforts of all the previous organizers, volunteers, sponsors, donors, and friends that have made the show the success that it is today.